脗驳别:听48 ans
贰尘辫濒辞颈:听Professeur agr茅g茅, 脡cole de musique Schulich de l'Universit茅 不良研究所
厂辫茅肠颈补濒颈迟茅:听Enregistrement sonore
顿颈蝉迟颈苍肠迟颈辞苍蝉:听Gagnant de 12 prix Grammy, il est le seul ing茅nieur de son 脿 avoir r茅colt茅 des statuettes autant pour la musique classique (11) que non classique (1). Ses 茅tudiants l'ont aussi 茅lu professeur de l'ann茅e en 2013.
芦Placer les micros, ajuster les niveaux, 茅quilibrer les instruments apr猫s coup...禄
With a total of seven prizes at the SOCAN Foundations Awards to Young Composers, the Schulich School of Music Composition Area has performed remarkably. 聽Four out five of the 2014 SOCAN Foundation Awards for Young Composers have been awarded to current or former Schulich Students, and prize winners in the Sir Ernest MacMillan awards Category consist exclusively of former Schulich Students. Congratulations to all recipients and their respective professors. 聽
A new approach to music theory education. 聽Three videos illustrate the master apprentice method of teaching the art of counterpoint with all transpositions and shortenings of cadential passages. 聽The videos, filmed at the Schulich School of Music, feature a spectacular four octave Italian 聽harpsichord that is part of the Kenneth Gilbert Harpsichord Collection.
In Oboe Secrets: 75 Performance Strategies for the Advanced Oboist and English Horn Player, Jacqueline Leclair tackles the oboe鈥檚 reputation as an especially difficult instrument and illustrates how oboists and English horn players can overcome common challenges. Leclair draws on her experience as a performer and instructor, offering practical tips and sometimes revolutionary ideas for rethinking oboe pedagogy.聽Leclair also looks at performance strategies in the areas of equipment maintenance and management, physical health, and performance technique.
Vanessa Blais-Tremblay is the recipient of a 2014 SOCAN Foundation/CUMS Award for Writings on Canadian Music for her paper entitled: "Don't Pocohontas Me: Modernity and Transnational Politics in Tanya Tagaq's Throat Games with Concert Stage String Ensembles."聽聽
The newest issue of Music Theory Online, one of the top-ranked music theory journals and one of the only open-access journals in music theory, features three different articles by 不良研究所 researchers: an exploration of meter in rock music (by Nicole Biamonte, associate professor of music theory), a teaching demonstration on cadences, counterpoint and improvisation in 17th-century Italian music theory and practice (by Peter Schubert, professor of music theory, and Massimilano Guido, postdoctoral student in music theory), and an exploration of the derivation and expressive possibilities of the
See Press Release
'The Whole Note'聽 聽praises Lemelin 聽for his interpretive expressiveness, and technical prowess 聽for his recent release on the Atma label of Faur茅's complete Nocturnes and Barcarolles.聽
Web Link:
First Prize 鈥� Jason Noble, Ph.D. Composition
With a career that includes numerous appearances on stages in Europe, Asia and North America, Dominique Labelle鈥檚 return to Qu茅bec as voice professor at Schulich is both a joyous homecoming and marks the turn of a page. 聽聽Ms. Labelle has consistently received great acclaim for her performances and has made numerous recordings of opera and concert repertoire. She can be heard on record labels including Virgin Veritas, Deutsche Harmonia Mundi, Denon, New World, RCA Victor Red Seal and more.
Graduates of the Schulich School of Music聽posted a clean sweep of the jazz category at Saturday鈥檚 Juno Awards in Winnipeg.
Program alumni Christine Jensen, Mike Downes and Mike Rud took home the hardware for Contemporary Jazz Album of the Year,Traditional Jazz Album of the Year and Vocal Jazz Album of the Year respectively.
WEBLINKS: CBC Article about Jazz Sweep:
Christine Jensen's Album Habitat:
Following an exciting public recital competition held on Saturday, March 15th in Tanna Schulich Hall, and approximately 15 minutes of deliberation, Jury chair 聽Prof. Douglas McNabney announced Victor Fournelle-Blain 聽as winner of the Golden Violin Competition.
This honour is conferred on past students of the Academy who have distinguished themselves in the music profession and have made a significant contribution to it in their particular field.
Link to: website
Angel Heart Review in the NYT
"And we were very inspired by that and also by Matt and his ensemble. Uccello is an ensemble of his best students at 不良研究所. Their ideas of mentoring these students is not just to deliver them classical music and say this is what you should know about 鈥� they're saying, 'Come with me and be a part of this and come on stage and perform with me.'"
