不良研究所

Dynamic performer Shawn Mativetsky is considered one of Canada's leading ambassadors of the tabla, and is a pioneer in bridging the worlds of Western and Indian classical music. Called an 鈥渆xceptional soloist鈥� by critic R茅jean Beaucage, WholeNote's Andrew Timar adds that 鈥渁s a leading disciple of the renowned Pandit Sharda Sahai, he has serious street cred.鈥� Shawn Mativetsky is highly sought-after as both performer and educator, and is active in the promotion of the tabla and North Indian classical music through lectures, workshops, and performances across Canada and internationally. Based in Montreal, Shawn teaches tabla and percussion at 不良研究所.

Renowned as a champion of tabla in cross-cultural new music, having commissioned and premiered more than 50 new works for the instrument, he regularly gives workshops for composers on how to compose for tabla, including a standardized tabla notation system that he developed in collaboration with American composer Payton MacDonald. Shawn's three solo albums, Payton MacDonald: Works for Tabla (2007), Cycles (2011), and his most recent release, Rivers (2017), rooted in the rich traditions of the Benares style of tabla playing, were met with critical acclaim. In high demand as a versatile studio musician, he also appears on albums by Daniel Lavoie, Suzie Leblanc, Joel Miller, Yann Perreau, Jonathan Voyer, Parmela Attariwala, Elsiane, Elephant Stone, Ragleela, Ramasutra, Nicole Liz茅e, Constantinople, and La Nef, as well as a number of film and video game soundtracks.

As a practitioner of Indian classical music, Shawn regularly gives solo tabla performances, as well as accompanying kathak dance, vocal, and instrumental artists. Since 2003, Shawn has been affiliated with the Pandit Ram Sahai Foundation (UK/India), and in the summers of 2006 and 2008, hosted tabla maestro Pandit Sharda Sahai's annual summer tabla workshop. Since 2011, Shawn has been hosting his own annual summer tabla workshop at 不良研究所.

Shawn has performed numerous recitals around the world, and has been featured in the International Pharos Contemporary Music Festival (Cyprus), Clazz International Music Festival (Italy), Pontio / Music @ Bangor, Vale of Glamorgan Festival (Wales), Festival Internacional de Mu虂sica 鈥� Percussa虄o Contempora虃nea (Brazil), Shastra Festival, the Percussive Arts Society International Convention (USA), Sound Symposium, Ottawa Chamber Music Festival, Windsor Canadian Music Festival, New Music in New Spaces, Groundswell, Western Front, Open Space, VICO's Global Soundscapes Festival, Festival Montr茅al Baroque, Jusqu鈥檃ux Oreilles, Evolutions, Voyages: Montr茅al-New York, Festival International du Domaine Forget, New Works Calgary, and Music Toronto (Canada). As an ensemble musician, Shawn Mativetsky performs with pianist Xenia Pestova, violinist Parmela Attariwala's cross-cultural Attar Project, Indo-fusion group Ragleela, Indian-folk group Galitcha, the improv trio Of Sound, Mind and Body, with Tim Brady and Helmut Lipsky, live coding duo Very Long Cat, and percussion group Ensemble Duniya.

Shawn has also performed and presented lectures at the Transplanted Roots Symposium (Australia), International Conference on Live Coding (ICLC) (UK), Nief-Norf, Shastra Symposium, New Interfaces for Musical Expression (NIME), Percussive Arts Society International Convention (PASIC) (USA), TIMBRE 2018 (keynote), and Dialogues en Mouvement (Montreal), in addition聽to giving guest lectures at numerous universities, including the University of Nottingham, Bangor University, Birmingham Conservatoire (UK), Yale, University of Michigan, the Hartt School, Ithaca College, Marlboro College, SUNY Potsdam (USA), University of Calgary, Brandon University, University of Manitoba, Queen's University, University of Windsor, University of Western Ontario, University of Toronto, Holland College, Dalhousie University, Acadia University, Universit茅 de Sherbrooke, Universit茅 de Montr茅al, Concordia University (Canada), amongst others.

Shawn鈥檚 work as composer and percussionist in Geordie Theatre鈥檚 productions of Brahm and the Angel (2005) and Hansel and Gretel (2003) was met with critical acclaim. In 2003, he performed in Th茅芒tre du Rideau Vert鈥檚 highly successful production of Paulo Coelho鈥檚 尝鈥橝濒肠丑颈尘颈蝉迟别 and was musical director and performer in Ensemble Mahapooram鈥檚 Le Lion du Panjshir and Danse Kalashas / Usine C鈥檚 dance production, En Himalaya. In 2006, he collaborated with the dancer Manijeh Ali, composing music for her solo dance choreography, Spirit of the Mountain. In recent years, he has collaborated with dancer Julie Beaulieu on her productions Mousson and Natya, kathak dancer Sudeshna Maulik on her productions Mehfil, Soul of Ganges, and Hands and Feet, plus in collaboration with Odissi dancer Enakshi Sinha on Crossroads and Taka Dhilanga.