Laurence Kirmayer - Art, Identity and Community: Toward a Poetics of Illness and Healing (ASI 2015)
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Art plays a unique role in human experience both as an individual and a social mode of expression and communal activity. All societies have traditions of fashioning objects, language, and performance in ways that serve to transmit culture, explore the world, entertain, and edify. Active engagement with the arts can transform suffering, give meaning to affliction, and support recovery. This conference will bring together artists, scholars, researchers, and professionals involved in mental health to discuss the role of the arts in cultural psychiatry. Art can be used to build and express individual and collective identity, as a creative process that yields new ways of experiencing the world, as a social and political intervention to critique or challenge existing frameworks, and as a modality for therapeutic interventions. Sessions will explore topics related to several broad themes:
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1. 听 听 the nature of creative artistic and aesthetic processes of invention, enactment and improvisation;
2. 听 听 the role of the arts in constructing and expressing individual and collective identities鈥攅specially, public, social or political uses of art to raise awareness and challenge marginality and oppression;
3. 听 听 the arts as media for articulating, understanding and coping with the experience of mental health and illness;
4. 听 听 art making as a creative medium for individual therapeutic exploration, growth, and transformation and for collective conflict resolution and mental health promotion.
To view the video of Jon Henrik Fj盲llgren's perfomance on Sweden's Got Talent, click here:听
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Gilah Yelin Hirsch - Reflections on Art as a Healing Process (ASI 2015)
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This presentation will focus on imagery as a vehicle for physical and emotional healing. I will describe the way my work has evolved over an extended period of time, blending science and art to reveal relationships between form in nature, form in human physiology and behavior, as well as the forms that are present universally in all alphabets. Drawing from years of solitary wilderness sojourns, as well as experience in diverse world cultures, including Tibetan Tantric visualization and Kabbalah, I will address the ways that the work seems to give access to the hardwired wisdom of the body as the repository of intuition and intrinsic knowledge 鈥� leading toward health and behavior benefiting the greater good.
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Gilah Yelin Hirsch, BA, MFA, is a painter, writer, theorist, filmmaker, lecturer and Professor of Art at California State University, Dominguez Hills (Los Angeles). She works in a multidisciplinary manner including art, design, anthropology, architecture, theology, philosophy, psychology, psychoneuroimmunology and world culture. An internationally exhibiting artist in over 200 exhibitions since 1968, Hirsch鈥檚 paintings have been acquired by many major public and private collections, including the Skirball Museum, Los Angeles; Alexander Braun Collection, Budapest; Bank of America National Banks; and the University of California Medical Arts Collection, Los Angeles. Hirsch鈥檚 work has been reviewed extensively worldwide, has appeared on covers and within dozens of international听publications, including articles on her work, Hirsch鈥檚 own articles and theoretical papers have been published in scholarly journals including Leonardo (MIT press). She recently authored the book Demonic to Divine: The Double Life of Shulamis Yelin (Vehicule Press). Her film Cosmography: The Writing of the Universe is an investigation into the relation between origin of alphabet, pattern in nature and the neurology of perception and cognition. Her current film, Reading the Landscape, brings these concepts to children of all ages in sixteen languages and cultures. Hirsch鈥檚 more than 150 awards, honors, grants, fellowships and residencies include the International Society for the Study of Subtle Energies and Energy Medicine鈥檚 (ISSSEEM) Alyce and Elmer Green Award for her 鈥渋nnovative听blending of science and art鈥� and an award from US National Endowment for the Arts. Hirsch鈥檚 awards and residencies include the International Society for the Study of Subtle Energies and Energy Medicine鈥檚 (ISSSEEM) Alyce and Elmer Green Award for her 鈥渋nnovative blending of science and art鈥�; US National Endowment for the Arts; CLASS Foundation, CO; Banff Center for the Arts, Canada; MacDowell Colony, NH; Rockefeller Foundation, Bellagio, Italy; Tyrone Guthrie Center for the Arts, Ireland; St. Martin's School of Art, London, England; Rim Institute, AZ., Morris Graves Foundation; Songambele Arts Festival, Kenya.
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Jaswant Guzder - Art and the Person of the Therapist (ASI 2015)
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The presentation will include my paintings and drawings in multiple media, including canvas, paper and handmade books done in parallel to a career as a therapist. These works come from a personal healing space or a temenos that allows unfettered access to inner worlds that emerge to be reworked or to be expressed in ways that remain 鈥榰nprocessed鈥�. The process of art making is as temporary or 鈥渋n the moment鈥� as the process of deep listening in my role as a therapist. This world of art making is for me an inner healing essential to my capacity as a therapist. My psychoanalyst colleague from India, Sudhir Kakar has said that creativity 鈥渙ffers a haven from the storms of emotional life and the swirling of subterranean passions鈥�. My identity is formed of many dissonant experiences, cultural worlds and incompatible ideas that never seem achieve any resolution but rather coexist in a disarray of balances and imbalances, melancholic periods and productive integrations, which are reflected in my art making听as an experience. The energy or compulsion to make drawings has always been with me and pervades my being. Perhaps, the bicultural realities of my life have generated this drive, reflected as much in my note taking during lectures as in the times where I am immersed only in the art making. The making of art is also a struggle to experience moments of lucidity, a way to find some center of gravity within myself. The clinical experience of therapy leaves so much that is felt yet remains unthought, including deeply shared traumatic 鈥渘oise鈥�. My life as a painter has helped me to shift from that felt unthought into a creative transitional space that contains contradictions without resolution in thinking.
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Ian Gold & Eric Lewis - Improvising Intersubjectivity: Trust, Paranoia, and Theory of Mind (ASI 2015)
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The new field of Improvisation Studies theorizes the improvisative, particularly collective improvisation, as a potent site for identity formation, community building, intersubjective dialogue, and the real-time negotiation of self and other. Improvising ensembles form bonds of trust, and mediate sonically aspects of their selfhood to others, while receiving such information in return. The powerful social underpinnings of improvisation have led theorists to talk of the curative powers of improvisation, but a systematic investigation of its therapeutic potential has not yet been undertaken. In this paper we explore the capacities of improvisation to build social bonds and argue for its therapeutic potential.
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C茅cile Rousseau - Giving a Voice? Art, Exclusion and Caring Illusions (ASI 2015)
In immigrant neighbourhoods, immigrant and refugee youth who attend special classes because of learning and behavioural difficulties, suffer from a double exclusion linked to their minority status and to their academic delay. This presentation will describe the implementation and the results of a randomized control trial to evaluate the efficacy of drama workshops to reduce the symptoms and impairment of youth in 30 special classes in Montr茅al. During the intervention, the structural violence and the hurt associated with exclusion were enacted by the youth and shattered the team and the teachers鈥� sense of safety. Although the results showed that the drama intervention was beneficial for first generation immigrants, they also suggested that the availability of an expression space may have reactivated feelings of impotence and anger associated with the life experience of second generation youth. These observations confirm the powerful role of art in the face of social exclusion, and suggest that in situations where impotence dominates and possibilities of transformation are slim, artistic expression may be considered as a doubled-edged sword.
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Stephen Snow - Ethnodramatherapy: Performance Ethnography Combined with听Drama Therapy in the Framework of Theatrical Performance听(ASI 2015)
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Ethnodramatherapy is a new methodology that integrates the art of theatre with Drama Therapy, all within the methodological context of Performance Ethnography. The latter has its roots in the groundbreaking 鈥淧erforming Ethnography鈥� work of Victor Turner. Mienczakowski, who further developed this work into his own method, 鈥淓thnodrama,鈥� speaks of how Turner influenced him to combine 鈥渢he aesthetic assumptions of performance and the methodological and theoretical ambitions of research.鈥� What I have added to this mix are the clinical interventions of Drama Therapy. In this way, the approach can also encompass therapeutic goals and outcomes. This presentation will explore the application of Ethnodramatherapy through case studies with marginalized populations: (1) female
adolescents under youth protection in regards to self and social perception; (2) the exploration of intimacy and sexuality in the lives of adults with developmental disabilities: (3) the lived experience of caregivers for the mentally ill. Slides and video clips will be used.
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Jacques Arpin - Body and Performance in Theater Anthropology and other Art Forms: Clinical Applications in听Cultural Psychiatry听(ASI 2015)
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What can I, a healer, learn from the arts, traditions and techniques? How can I apply such learning to my clinical work in medical anthropology and cultural psychiatry? I put 鈥渂ody鈥� at the centre of the crossroads of health, culture and performance. The latter concerns all art forms relevant to the narration and the dramaturgy of patients鈥� case-history making. It is also helpful in the elaboration of various forms of therapies, including somatic medicine. We can thus improve and develop these medical actions with methodologies borrowed from the arts: learning, training, practicing, performing and transmitting. Theater anthropology is the study of the performer in a situation of performance. It considers traditions and techniques; the body as a vehicle, the body as a tool. Through exercises and training methods, this body will eventually produce narrative elements and express segments of stories. These I can then edit, using methods of montage, to finally make sense of the whole dramaturgy. There is a montage of the director and a montage of the actor, both of which will, at one point, be confronted with the montage of the spectator. Applications to our fields of professional actions are convenient and useful. The patient/healer work parallels that of the actor/director interactive strategies and methods. The healer, here the cultural psychiatrist, becomes the director of the patient鈥檚 dramaturgy, as expressed in the case-history making and in the course of the psychotherapy. The same can apply to the clinical situations seen in surgery, internal medicine et al. Theater anthropology and the performance studies have developed active networks, the International School of Theater Anthropology (ISTA) and the Performance Studies international (PSi), comparable to our own SSPC, TS and WACP. My Masters of Their Conditions project began 30 years ago. Three stepping-stone articles have been听published in TP. The focus is on the body in its clinical, cultural and performing forms: (1) the performance of health, illness and care - introducing theater anthropology; (2) narration in intercultural theater and the visual arts - bringing patients on stage; (3) the actor鈥檚 score and its applications to the patient鈥檚 score - a collaboration with actors of the Odin Teatret, founded by Eugenio Barba who also created ISTA. I am currently working on the next stage of the project: body modifications in the era of the new media (Internet, communication, technologies of the image).
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Vitor Pordeus - 鈥淢adness, yet there's method in it": For a New Biology for Mental Health (ASI 2015)
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Presentation of the 5 year experience of the Centre for Culture, Science and Health - Public Health Office of Rio de Janeiro City, the DyoNises Theatre, the Hotel and Spa of Madness and the People's University for Art and Science developed in the oldest Brazilian Psychiatric Hospital, the Nise da Silveira Mental Health Institute, formerly know as Pedro II Psychiatric Centre. The hospital was named in year 2000 after the famous revolutionary Brazilian woman psychiatrist Nise da Silveira pioneered the field of art and psychiatry founding the Museum of Images of the Unconscious in 1946. It today counts with a technical archive of more than 350 thousand artworks amongst paintings, drawings, sculptures of chronic psychosis schizophrenic patients that fundament and inspire the present
experience developed mainly through the application of Dr. Nise's scientific principles on public theatre performed with the communities of the Hospital and Rio de Janeiro鈥檚 public spaces. Our therapeutic experience relies on the theatrical collaborative methods and the production of short and long documentary films, that will be exhibited during the presentation with special attention to the last movie produced by our artistic collective: our 2014 theatrical production "Hamlet, madness yet there's method in it". These experiences will be put into context of the contemporary scientific revolution of biology considering the experimental and scientific work of the Brazilian immunologist Nelson Vaz and the Chilean biologist Humberto Maturana, former tutors and personal collaborators of the author.
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